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Stop 13 of 17

Church of St. Ignatius Loyola

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Church of St. Ignatius Loyola
Church of St. Ignatius Loyola
Church of St. Ignatius LoyolaPhoto: Jim.henderson, Wikimedia Commons, CC BY 4.0. Cropped & resized.

On your left, you will see a massive, classical limestone facade featuring a prominent arched window and a sweeping central pediment. Pull up your screen to see the full scale of this towering Jesuit complex as it stands today.

This image shows the Church of St. Ignatius Loyola complex from Park Avenue, the centerpiece of a large Jesuit complex designated a New York City Landmark in 1969.
This image shows the Church of St. Ignatius Loyola complex from Park Avenue, the centerpiece of a large Jesuit complex designated a New York City Landmark in 1969.Photo: Jim.henderson, Wikimedia Commons, CC0. Cropped & resized.

But the story of this site is a cautionary tale about an ambitious builder whose vision outstripped reality. Back in eighteen fifty-four, this parish was a modest wooden structure serving a community of working-class Irish immigrants. The parish's second pastor, Reverend Eugene O'Reilly, looked at that humble wood and saw a neighborhood on the rise. He decided his flock needed a grand, permanent Romanesque-style stone building.

There was just one minor issue. His parishioners simply did not have the money to pay for it. O'Reilly pressed forward anyway. His grand vision plunged the congregation straight into financial ruin. The parish drowned in a decade of crushing debt, only surviving because the Jesuits took over in eighteen sixty-six, with the priests literally emptying their own pockets and contributing their salaries just to keep the doors open.

It took an act of gravity to finally change their fortunes. On a Sunday in November, eighteen eighty-six, a massive section of the old church ceiling suddenly collapsed into the sanctuary during a crowded Mass. Miraculously, no one was injured. The congregation took this not as a sign of shoddy engineering, but as a mandate from Heaven to finally build something better.

The sheer wealth of the Upper East Side was rapidly expanding, and a new pastor, Father Neil McKinnon, decided to harness it. He famously found the church of brick and left it of marble. Take a glance at your app to see the staggering interior he commissioned, an absolute cavern of pink Tennessee and yellow Siena marble. The parish had finally secured the money to build a legacy that matched the sheer financial gravity of Park Avenue.

This view looks from the Chancel towards the rear wall of the Nave, showcasing the vast interior space constructed of American, European, and African marbles.
This view looks from the Chancel towards the rear wall of the Nave, showcasing the vast interior space constructed of American, European, and African marbles.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.

This neighborhood has always been about trading up, turning wood to stone, and stone to polished marble. That same drive to acquire and display prestige flows right into the contemporary art world and its own hidden histories. We are going to explore that next as we head to Galerie Buchholz, just a four minute walk away. The church is open to visitors every day of the week from eight thirty A-M to nine P-M.

An exterior view of the Church of St. Ignatius Loyola, which was added to the National Register of Historic Places in 1980.
An exterior view of the Church of St. Ignatius Loyola, which was added to the National Register of Historic Places in 1980.Photo: smilly, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
The grand limestone edifice of the Church of St. Ignatius Loyola, a testament to the growing affluence and confidence of the Catholic community on New York's Upper East Side.
The grand limestone edifice of the Church of St. Ignatius Loyola, a testament to the growing affluence and confidence of the Catholic community on New York's Upper East Side.Photo: smilly, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
This central aisle view shows the Chancel of the church, where the new upper church was dedicated to St. Ignatius while the lower church retained the name of St. Lawrence O'Toole.
This central aisle view shows the Chancel of the church, where the new upper church was dedicated to St. Ignatius while the lower church retained the name of St. Lawrence O'Toole.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
A wide-angle view of the Chancel, featuring mosaics manufactured by Salviati & Company after designs by Professor Paoletti, commemorating moments in the life of St. Ignatius.
A wide-angle view of the Chancel, featuring mosaics manufactured by Salviati & Company after designs by Professor Paoletti, commemorating moments in the life of St. Ignatius.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
A side view of the Altar and Chancel, highlighting the intricate marble work executed by James G. Batterson Jr. and John Eisele of New York.
A side view of the Altar and Chancel, highlighting the intricate marble work executed by James G. Batterson Jr. and John Eisele of New York.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
A close-up of the main Altar, crafted from Pavonazzo marble and gilt-bronze, which is part of the church's interior decorated with diverse precious marbles.
A close-up of the main Altar, crafted from Pavonazzo marble and gilt-bronze, which is part of the church's interior decorated with diverse precious marbles.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
This view shows the Baptistery from the Nave, a richly decorated area featuring Louis Comfort Tiffany"s Favrile glass mosaics and a wrought-iron screen.
This view shows the Baptistery from the Nave, a richly decorated area featuring Louis Comfort Tiffany"s Favrile glass mosaics and a wrought-iron screen.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
A detailed view of the Baldachin over the Altar, part of the extensive marble work found throughout the church's interior.
A detailed view of the Baldachin over the Altar, part of the extensive marble work found throughout the church's interior.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
The Baptistery's front view, showcasing mosaics designed by Heaton, Butler & Bayne depicting scenes from John the Baptist's life, created using Tiffany's opalescent Favrile glass.
The Baptistery's front view, showcasing mosaics designed by Heaton, Butler & Bayne depicting scenes from John the Baptist's life, created using Tiffany's opalescent Favrile glass.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
The semi-dome of the Baptistery, created by Tiffany Glass and Decorating Company using "jewel" glass, with a dove at its apex representing the Holy Spirit.
The semi-dome of the Baptistery, created by Tiffany Glass and Decorating Company using "jewel" glass, with a dove at its apex representing the Holy Spirit.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
A statue in the Nave, featuring the Jesuit motto "Ad Majorem Dei Gloriam" (To the Greater Glory of God), which is also prominently displayed on the church's exterior facade.
A statue in the Nave, featuring the Jesuit motto "Ad Majorem Dei Gloriam" (To the Greater Glory of God), which is also prominently displayed on the church's exterior facade.Photo: Bestbudbrian, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
The exterior of the Church of St. Ignatius Loyola, a Roman Catholic parish church on the Upper East Side of Manhattan, originally established in 1851 as St. Lawrence O'Toole's Church.
The exterior of the Church of St. Ignatius Loyola, a Roman Catholic parish church on the Upper East Side of Manhattan, originally established in 1851 as St. Lawrence O'Toole's Church.Photo: AllanMarcus2468, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
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