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Stop 12 of 16

St. Catharinakathedraal

Look to your right, and you will see a towering brick facade defined by a sweeping, ornate stepped gable and a slender octagonal tower reaching into the sky.

This is Saint Catherine's Cathedral, and its history is a masterclass in architectural survival. In fourteen sixty-eight, an order of Carmelite monks started building a monastery right here. But before they could finish the job, Emperor Charles the Fifth decided he needed a massive castle on the other side of town. He evicted the Knights Hospitaller from their land to build his fortress, and forced them to move here. The Knights took over this half-finished monastery, finally completing the church in fifteen sixty.

They built it as a grand cruciform church, meaning its floor plan is shaped like a cross. It was the very last medieval church constructed in Utrecht, built in a style called Brabantine Gothic, which is famous for tall, round columns and elaborate stone capitals carved to look like curling cabbage leaves.

But the Knights hardly got to enjoy their magnificent new home. Just twenty years later, the Reformation swept through the city. The Catholic church was stripped of its religious status and used for secular purposes, eventually becoming a Protestant church in sixteen thirty-six.

Jumping ahead to eighteen fifteen. In a very rare move, Saint Catherine's became the only medieval church in Utrecht returned to the Catholics. By eighteen fifty-three, it was elevated to a full cathedral. To celebrate its new status, the church brought in an artist named Friedrich Wilhelm Mengelberg to give the interior a dazzling Neo-Gothic makeover, filling the space with elaborate statues and decorations. Around nineteen hundred, an architect named Alfred Tepe extended the nave and added that striking fifty-three-meter tower you see outside today.

But architectural tastes can be brutal. In the nineteen fifties, a new generation of restorers decided they absolutely hated the Neo-Gothic additions. They stripped most of it out, trying to recreate the stark, bare interior captured in a seventeenth-century drawing by the artist Pieter Jansz Saenredam. Check out your screen to see Saenredam's original sketch of the interior, which became the blueprint for erasing decades of design. If you want to see how the nave evolved over those restless decades of restoration, you can pull up the historic comparison in your app to see the view looking east toward the choir in nineteen fifty-nine versus the year two thousand.

Pieter Jansz Saenredam's interior drawing, a crucial reference for the 1955-1965 restoration efforts to revert the space to its 1636 appearance.
Pieter Jansz Saenredam's interior drawing, a crucial reference for the 1955-1965 restoration efforts to revert the space to its 1636 appearance.Photo: GEMEENTE MUSEUM (Fotograaf), Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.

They have since realized their mistake and brought some of the gorgeous Neo-Gothic art back out of storage. And the drama never really stops here. In two thousand eighteen, the diocese announced they would close the cathedral due to budget problems. But the public outcry was so fierce that the Archbishop reversed the decision just a year later.

If you want to explore the interior, the cathedral is open daily starting at noon, though Sunday mornings open at nine fifteen AM and Mondays only offer evening hours. Appreciate this towering landmark. Whenever you're set, we can head to the next stop.

An early engraving of the Catharijnekerk, representing its appearance from 'Tegenwoordige Staat der Verenigde Nederlanden' and offering a glimpse into its long history.
An early engraving of the Catharijnekerk, representing its appearance from 'Tegenwoordige Staat der Verenigde Nederlanden' and offering a glimpse into its long history.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
The west facade of the Catharijnekerk around 1899, showcasing its appearance before architect Alfred Tepe extended the nave and added the 53-meter tower.
The west facade of the Catharijnekerk around 1899, showcasing its appearance before architect Alfred Tepe extended the nave and added the 53-meter tower.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
The St. Catherine's Church from the southwest, featuring the distinctive 53-meter tower inspired by Kampen's town hall, added by architect A. Tepe around 1900.
The St. Catherine's Church from the southwest, featuring the distinctive 53-meter tower inspired by Kampen's town hall, added by architect A. Tepe around 1900.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
A detail of a 'koolbladkapiteel' (cabbage leaf capital) in the northern side aisle, showcasing the Brabant Gothic influence in the church's 16th-century architecture.
A detail of a 'koolbladkapiteel' (cabbage leaf capital) in the northern side aisle, showcasing the Brabant Gothic influence in the church's 16th-century architecture.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
A photo from 1957 illustrating the 'ontgipsing' (plaster removal) process during the major 1955-1965 restoration, which aimed to return the interior to its 1636 state.
A photo from 1957 illustrating the 'ontgipsing' (plaster removal) process during the major 1955-1965 restoration, which aimed to return the interior to its 1636 state.Photo: G.Th. Delemarre, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
A general interior view looking east, providing a sense of the large Gothic cruciform structure completed in 1560 as the last medieval church in Utrecht.
A general interior view looking east, providing a sense of the large Gothic cruciform structure completed in 1560 as the last medieval church in Utrecht.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
A view of the church's choir, an important area where many Neo-Gothic sculptures by F.W. Mengelberg and the sacrament tower are located.
A view of the church's choir, an important area where many Neo-Gothic sculptures by F.W. Mengelberg and the sacrament tower are located.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
A vibrant stained glass window depicting scenes from the life of Saint Catherine of Alexandria, the revered patron saint to whom the cathedral is dedicated.
A vibrant stained glass window depicting scenes from the life of Saint Catherine of Alexandria, the revered patron saint to whom the cathedral is dedicated.Photo: Ton Schollen, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
The Neo-Gothic 'doksaal' (rood screen), an important piece crafted by F.W. Mengelberg in 1871 and now positioned at the west side of the church.
The Neo-Gothic 'doksaal' (rood screen), an important piece crafted by F.W. Mengelberg in 1871 and now positioned at the west side of the church.Photo: Unknown authorUnknown author, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
The majestic Maarschalkerweerd organ, built in 1903 and expanded in 1939, dominates the west end of the cathedral, a centerpiece for the church's musical life.
The majestic Maarschalkerweerd organ, built in 1903 and expanded in 1939, dominates the west end of the cathedral, a centerpiece for the church's musical life.Photo: Johan Bakker, Wikimedia Commons, CC BY-SA 3.0 nl. Cropped & resized.
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