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Stop 2 of 17

Yes, it is a sesame

headphones 03:30

Look for a narrow arched stone passage that opens into a compact courtyard, framed by pale historic facades and a heavy stretch of medieval wall.

This is Yanya Seta, Saint John’s Courtyard, and for a place barely over five hundred and thirty square meters, it has had an absurdly busy life. In the early twelve hundreds, this patch of ground held the first bishop’s court in Riga, effectively his first castle. Right beside it stood the territory of the Swordbrothers, a military religious order, and legend says a single willow tree marked the line between those two powers. Riga, even then, understood the value of a dramatic property boundary.

In twelve thirty-four, Archbishop Nicholas sold the bishop’s residence and the surrounding land to the Dominicans, the preaching monks who had already settled in Riga. They reshaped the site into a monastery yard. Fragments of their cloister still survive from the thirteen thirties. A cloister is the covered walkway that runs around a monastic courtyard, built for prayer, movement, and the occasional serious conversation. The Dominicans also enclosed the yard with a thick wall and a gate on Skarnu Street marked by an unusual arched image known as the view of a donkey’s back. Odd name, very deliberate message: Christians should follow Christ, who entered Jerusalem on a donkey, not a warhorse. Humility, in masonry.

If you want a clearer sense of the layout, glance at the picture on your screen. It shows the historic passage opening into the old complex beside Saint John’s Church.

A southwest view into Jāņa sēta, the former Dominican courtyard beside St. John’s Church, still showing the historic passageway that opens into the old complex.
A southwest view into Jāņa sēta, the former Dominican courtyard beside St. John’s Church, still showing the historic passageway that opens into the old complex.Photo: Ymblanter, Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.

After the Reformation tore through Riga in the fifteen twenties, the city took over the monastery buildings and used them with impressive practicality and very little nostalgia. One house became a forced workhouse for petty offenders, and Saint John’s Church even added a standing gallery for them. Later, the same yard housed Saint Nicholas almshouse, then the main city police barracks from eighteen twenty-eight until nineteen oh-two. So this one courtyard served monks, the poor, minor lawbreakers, and police officers in succession... which feels like a fairly complete survey of urban life.

It also became a place of learning. In the fifteen eighties, King Stephen Bathory gave one building here to the Latvian Lutheran community, which opened Riga’s first school teaching in Latvian. Then, in nineteen thirty-eight, workers demolishing that school uncovered part of the medieval city wall along Kaleju Street. That wall once defended the city from the old Riga River branch of the Daugava. The blacksmiths maintained this section after city officials pushed them out toward the river for causing fires and too much noise. Not an entirely unfair review of blacksmithing.

At present, the old monastic garden survives in gentler form, with a beer garden where monks once grew apples and medicinal herbs, and a jazz club in a side building.

This little courtyard is Riga in miniature: sacred, practical, fortified, and slightly eccentric.

When you’re ready, continue on to Saint Peter’s Church.

arrow_back Back to Riga Audio Tour: Legends, Guilds, and Timeless Stones
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