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Stop 6 of 15

Schloss Voglsang

Schloss Voglsang
Voglsang Castle
Voglsang CastlePhoto: Lewenstein, Wikimedia Commons, CC BY-SA 3.0 AT. Cropped & resized.

On your left, look for a pale rectangular villa rising from a heavy stone-block base, with four corner towers and a pointed central gable marked by a round rosette.

Schloss Voglsang feels like someone took a Scottish castle, shrank it just enough to fit a hillside in Steyr, and then let it keep its swagger. Josef Werndl, the great industrialist of Steyr, bought this land in the eighteen seventies and told builder Anton Plochberger to think big. According to local tradition, Werndl even sent him to Scotland to study a real castle, with a garden architect tagging along to size up the park. What came back was this neo-Gothic villa, finished in eighteen eighty-two: three main floors over a stone base, battlements along the roofline, and a glasshouse-like structure in the middle of the roof to pour light into the staircase.

It was meant to impress, especially the first floor, the bel étage... basically the grand show-off level, with a gentlemen’s salon and a huge dining room. But life swerved. After Werndl’s wife Karoline Antonia died, he lost interest in living here. In eighteen seventy-eight he offered the unfinished shell to the city, asking them to turn it into a poorhouse. The city said no. He tried selling it, complained it had serious construction faults, and even thought about tearing it down. Imagine nearly losing all this drama in stone.

By then, he had already spent sixty-four thousand florins on it, roughly half a million euros in today’s buying power. Instead of disappearing, the place kept reinventing itself: exhibition venue in eighteen eighty and eighteen eighty-four, then later a residence, then a boys’ boarding school run by Franciscans, and now senior apartments. If you want, compare the older view on your screen... the castle barely blinks while the whole approach around it changes character.

And if you glance at the app’s historic exhibition picture, you can catch Voglsang in eighteen eighty-four, still unfinished and already performing for the public.

The illuminated 1884 exhibition grounds include Schloss Voglsang, showing how the unfinished villa was reused as a public event venue.
The illuminated 1884 exhibition grounds include Schloss Voglsang, showing how the unfinished villa was reused as a public event venue.Photo: Wilhelm Gause, Wikimedia Commons, Public domain. Cropped & resized.

Voglsang is really a near-miss turned landmark.

Take a last look at those towers, and when you’re ready, we can wander on to the next stop.

Seen from the street side with the park and fountain, matching the historic setting of Schloss Voglsang as a villa with grounds.
Seen from the street side with the park and fountain, matching the historic setting of Schloss Voglsang as a villa with grounds.Photo: Bodory Thomas, Wikimedia Commons, CC BY-SA 3.0. Cropped & resized.
A distant view from the Tabor highlights the building’s position in Steyr and its distinctive towered roofline.
A distant view from the Tabor highlights the building’s position in Steyr and its distinctive towered roofline.Photo: Christoph Waghubinger (Lewenstein), Wikimedia Commons, CC BY-SA 3.0 at. Cropped & resized.
The old gate on the Volksstraße side survives from the time when the estate had a second access route besides Preuenhueberstraße.
The old gate on the Volksstraße side survives from the time when the estate had a second access route besides Preuenhueberstraße.Photo: Christoph Waghubinger (Lewenstein), Wikimedia Commons, CC BY-SA 4.0. Cropped & resized.
A 1893 book illustration of Schloss Vogelsang and Preuenhubergasse, offering a period view of the villa and its approach road.
A 1893 book illustration of Schloss Vogelsang and Preuenhubergasse, offering a period view of the villa and its approach road.Photo: Franz Kulstrunk, Wikimedia Commons, Public domain. Cropped & resized.
The first-floor plan points to the bel étage, where the Herrensalon and large dining room were designed for representation.
The first-floor plan points to the bel étage, where the Herrensalon and large dining room were designed for representation.Photo: Anton Plochberger (1823-1890), Wikimedia Commons, Public domain. Cropped & resized.
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