로스앤젤레스 오디오 투어: 예술, 우아함, 그리고 브로드웨이의 메아리
로스앤젤레스에서는 네온사인과 숨겨진 문틈 사이로 과거가 깜빡이며, 각 블록은 잊혀진 비밀과 침묵하는 반란으로 웅성거립니다. 많은 이들이 발밑의 메아리를 보지 못한 채 이 거리를 스쳐 지나갑니다. 이 셀프 가이드 오디오 투어를 통해 도시의 표면을 벗겨내어 묻혀있는 이야기와 간과된 경이로움—대부분의 방문객이 결코 보지 못하는 장소들—을 찾아보세요. 예술 성지, 오래된 백화점의 전설, 그리고 세월의 흔적이 깃든 공원들을 탐험하며 역사 속에 잊혀진 층들을 발견하게 될 것입니다. 블랙스톤 백화점 안에서 왜 분노가 폭발하여 도시 전체의 스캔들을 촉발했을까요? 트랙 16 갤러리 홀을 한때 채웠던 비밀스러운 예술가들의 의식은 무엇이었을까요? 워싱턴 공원의 어떤 나무가 수십 년 동안 형사들을 괴롭혔던 미스터리를 숨기고 있을까요? 평범함이 드라마와 발견으로 전율하는 골목길과 웅장한 홀을 거닐어 보세요. 한 걸음 한 걸음마다 로스앤젤레스의 또 다른 미지의 면모가 드러납니다. 베일을 걷어내세요. 오디오 투어를 시작하고 LA의 숨겨진 얼굴들이 드러나는 것을 확인하세요.
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Seventeen colorful years later, just as the gallery felt at home, progress chugged in-literally. The Expo Line train station rolled through, signaling demolition time! But art…더 보기간략히 보기
Seventeen colorful years later, just as the gallery felt at home, progress chugged in-literally. The Expo Line train station rolled through, signaling demolition time! But art doesn’t ride off into the sunset so easily. Instead, Track 16 took its flair to Culver City, reveling in everything from performance art to wild theater shows. A few years and plenty of creative experiments later, Sean Meredith joined Tom Patchett and together they found a new home in the buzzing Bendix Building, where you stand today. And because one creative space is never enough-like potato chips-Track 16 has recently opened a second spot in East Hollywood. Now, try to imagine some of the minds whose work has graced these walls. From the surreal ink brushings of Don Ed Hardy (yes, before he was a fashion icon!) to the provocative performances of Nao Bustamante, and the rebellious political posters of the Vietnam era, Track 16 has showcased every flavor of bold. The gallery remembers everything from punk music’s messy start-think safety pins and attitude-to “Amnesia,” a deep dive into contemporary Latin American art that leaves your memory spinning. Viggo Mortensen-yes, Aragorn himself-once exhibited his “Recent Forgeries” here, just one surprise in a long line of them. Hugely influential artists like Sandow Birk, Robbie Conal, and Galia Linn regularly come through, keeping that experimental spirit alive. This is a gallery that’s ridden out change, embraced unpredictability, and opened its doors to voices you won’t find anywhere else. If you’re lucky, you might just hear whispers of past opening nights drifting up from the floors. For now, let your imagination roam. At Track 16, art doesn’t just hang-it jumps, dances, and sometimes, politely asks you to rethink everything you thought you knew.
전용 페이지 열기 →Back in the early 1960s, two ambitious brothers, Harvey and Barney Morse, came all the way from New York City. Instead of chasing movie stars, they started a clothing factory…더 보기간략히 보기
Back in the early 1960s, two ambitious brothers, Harvey and Barney Morse, came all the way from New York City. Instead of chasing movie stars, they started a clothing factory right here and dreamed bigger-much bigger. Their dream took shape as these 13-story modernist towers, with the first opening its doors in 1963, as fresh as a crisp new suit. Within a few years, the family stacked up two more, with the third joining the lineup in 1979, each building rising like giant bolts of cloth next to the city’s bustling seams. But, just like fall fashion, fortunes change. The Morse family lost the Mart in 1994, and it passed through several hands-each new owner determined this was LA’s next big thing. Jamison Group bought it for $135 million, and by 2017, Brookfield had paid more than three times that! Today, inside is a whirlwind of designers, buyers, and wild runway shows. And outside, you get the best view on the street-no tickets required. Shall we strut to our next stop?
전용 페이지 열기 →Take a good look at the Broadway Leasehold Building rising up in front of you-yes, the one with the Gothic Revival style and that unmistakable wide arch arching triumphantly over…더 보기간략히 보기
Take a good look at the Broadway Leasehold Building rising up in front of you-yes, the one with the Gothic Revival style and that unmistakable wide arch arching triumphantly over three bays of deep-set windows. Imagine it’s 1914: the jazz is hot, the city’s growing faster than a Hollywood plot twist, and this brand-new seven-story beauty is the pride of the street. Down at the street level, shoppers buzz in and out, while the Leasehold Company’s offices hum with business above. If you really listen, you can almost hear the lively footsteps echoing on the tiles. Let’s slip back to the 1920s-yes, the Roaring Twenties, when prohibition made alcohol illegal. But if you found your way downstairs to the basement, no password was needed for this story: it was speakeasy time, and laughter and jazz would drift up through cracks in the sidewalk as guests sipped their not-so-secret cocktails. Western Costume also called this place home for a while, helping Hollywood dress to impress until they moved just across the street in 1923. Guess they didn’t want to walk too far to work. Now, for those of you with keen eyes, check out that fire escape clinging to the main bay and those decorative terra cotta colonettes-each one topped by a capital that curves gracefully into the arch. It’s almost like the building is giving you a dramatic eyebrow raise, isn’t it? The upper floors are gorgeously preserved, though the ground floor’s had a few “makeovers” thanks to signage over the years-hey, even buildings like to try new looks. Speaking of drama, remember the world-famous stunt in Safety Last!? Yes, that’s right-Harold Lloyd dangled from a clock on this very rooftop, high above Broadway. Picture the cameras, the crowd holding its breath, and Lloyd’s shoes scuffing the brick-let’s just say, you wouldn’t catch me on that rooftop for all the coffee in L.A.! Fast forward to 2010, and the famous-and mysterious-Banksy creates his “Girl on a Swing” mural on the southwestern face. It’s like the building itself became a canvas for LA’s ever-changing story, catching everyone by surprise during a film premiere nearby. Across a century, this building has survived facelifts, parties, priceless stunts, and wild auctions-with a sparkle factory thrown in for good measure. Not bad for a place that once hid forbidden gin!
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To spot Blackstone's Department Store Building, look for a grand six-story structure on the corner with striking Beaux Arts features-lots of elegant terra cotta decoration, tall…더 보기간략히 보기
To spot Blackstone's Department Store Building, look for a grand six-story structure on the corner with striking Beaux Arts features-lots of elegant terra cotta decoration, tall rows of windows, and a chunky cornice topped with little decorative details-right where Broadway crosses 9th Street. Alright, step right up! Imagine it’s 1917, and the brand-new Blackstone’s Department Store just opened its doors here on this bustling corner. The crisp clatter of trolley cars along Broadway splashes against the grand facade, and sunlight bounces off all that delicate terra cotta-this building wants you to notice it. Nathaniel Blackstone, the man behind it all, was on a mission to outshine his brother-in-law, the legendary J. W. Robinson. He spared no expense-over half a million dollars (that’s more than fourteen million today!) for the biggest, fanciest shopping experience around. Look up and you’ll see the details that made shoppers gasp a century ago: broad windows with multi-paned glass, crisscrossed with beams of sunlight, fluted panels connecting the third through sixth floors, and a cornice wrapped with rows of intricate antefixes. Down at street level, the building shouts “modern” with a facelift it got in 1939-Streamline Moderne style, all smooth curves and shiny surfaces, thanks to Stiles O. Clements. By then, Blackstone’s was gone, but the new owners added everything a good Angeleno might need: more shopping, a lunch counter, and a beauty shop, so you could get a sandwich and a haircut before you ran out to catch the bus. But wait-this building isn’t just for shoppers and beauty queens. In 1923, you could’ve caught a glimpse of it as daring Harold Lloyd dangled from a clock in “Safety Last!” Pretty glamorous to be a movie star’s backdrop, right? Over the years, the crowds shifted, the fashions changed, and eventually, in 2010, the six stories of retail were reborn as 82 sparkly new apartments-complete with chic shops below and even parking for everyone’s cars. Now, as you stand at its feet, you’re in the middle of a living time machine-once the nerve center of Los Angeles shopping, now a stylish home in the heart of the city.
전용 페이지 열기 →Directly in front of you is an eye-popping façade covered in detailed, geometric patterns and fierce-looking sculpted faces-just look up to spot its wild Mayan-influenced design…더 보기간략히 보기
Directly in front of you is an eye-popping façade covered in detailed, geometric patterns and fierce-looking sculpted faces-just look up to spot its wild Mayan-influenced design among the trees and the neighboring plain buildings. Welcome to the Mayan Theater, where the outside looks like something Indiana Jones might stumble across, and the inside has stories juicier than a bucket of movie popcorn. When it opened back in August 1927, this place was all glitz and glamour, dazzling crowds with musical comedies and lavish premieres. Imagine the hustle and bustle on the sidewalk as famous faces like Ruth Taylor swept past under sparkling lights, excited for night after night of laughter and applause. But this wasn’t just a spot for show tunes; in 1930, it made history hosting the “Sweet N’ Hot” musical, where Dorothy Dandridge wowed audiences and the show packed the house for eleven whole weeks. People could barely get tickets! Fast forward to the wild 1970s and 80s-oh, how the mighty have… gotten a bit risqué! The Mayan became famous (or maybe infamous) for showing movies you definitely wouldn’t bring your grandma to see. Still, it kept its charm, popping up in classic films like The Bodyguard and A Night at the Roxbury, plus the Pointer Sisters filmed their Neutron Dance music video right here. If you could feel a building blush from all the attention, this would be the one. The real showstopper, though, is its design. Stiles O. Clements went all out, covering the theater in pre-Columbian patterns and fierce faces by Francisco Cornejo, including the “Hall of Feathered Serpents” lobby and an auditorium that glitters with a chandelier modeled on the Aztec calendar stone. Each visit feels like stumbling into a colorful temple from another world. Since 1990, it’s been a legendary nightclub pulsing with music and energy, even streaming a Daft Punk concert straight from its dance floor. But all parties must end-by late 2025, this clubbing era will close after 35 unforgettable years. So, snap a photo, take in the details, and imagine the spectacular-and sometimes scandalous-spectacles these walls have witnessed.
전용 페이지 열기 →Alright, take a look at this striking building in front of you-the Belasco Theater! Just imagine it’s 1926: the street’s abuzz, people are dressed to the nines, and there’s…더 보기간략히 보기
Alright, take a look at this striking building in front of you-the Belasco Theater! Just imagine it’s 1926: the street’s abuzz, people are dressed to the nines, and there’s excitement in the air. An oil tycoon, Edward L. Doheny, decided Los Angeles needed more drama-onstage, of course-so he commissioned not one, but two theaters, with this one meant for “legitimate theater.” And no, that doesn’t mean the other theaters were criminal, but hey, you never know with Hollywood! Morgan, Walls & Clements, a hotshot local firm, whipped up the plans in the over-the-top Churrigueresque style. Some say the building’s details are so elaborate, you could stare at them until the next oil boom and still notice something new-kind of like looking at your phone bill. When it first opened in November 1926, over a thousand people lined up on this very sidewalk to see "Gentlemen Prefer Blondes." (That’s the play, not a compliment to passersby... although if the shoe fits!) But the Belasco wasn’t just about glitz. In the 1930s, during the tough days of the Great Depression, the Federal Theatre Project stepped in, turning these seats into a lifeline for struggling actors and audiences alike-a spot where everyone could escape reality for a few hours. Change is a loyal visitor here. When the golden era dimmed, the theater went from stage plays to burlesque and movies in the 1940s. The popcorn may have changed, but the drama? Never. After a final double feature in 1950, an energetic gospel church moved in. Imagine: one week, the stage was filled with tap dancing; the next, it echoed with hymns. In the 1970s, the Belasco became a sanctuary for the Metro Community Church, one of the nation’s early homosexual congregations. They faced challenge after challenge, showing the theater wasn’t just a place for showbiz-it had real heart. Yet, for years the building sat waiting for its next act-until 2011, when its chandeliers flickered on again as The Belasco, a music venue where echoes of Broadway mingled with rock and pop. And, oh, the camera loves this place! Look sharp and you might recognize it from "Being John Malkovich," "Swordfish," "Memoirs of a Geisha," "The Prestige," and even “Jersey Boys.” Honestly, with all its cameos, the Belasco’s agent must be working overtime. So wherever the Belasco’s history was headed-be it glamorous premieres, soulful sermons, or blockbuster films-it’s always been center stage in LA’s ever-changing show.
전용 페이지 열기 →Look up and ahead for the tall, sleek skyscraper with a distinctive grid of square windows and a crown featuring a glassy upper section-South Park Center’s main tower stands…더 보기간략히 보기
Look up and ahead for the tall, sleek skyscraper with a distinctive grid of square windows and a crown featuring a glassy upper section-South Park Center’s main tower stands boldly above the lower buildings nearby. Right here in front of you rises the South Park Center, once known by so many names it could fill a phone book-Occidental Life, Transamerica, AT&T Center, SBC Tower, and now, proudly, the USC Tower. Back in 1965, this 32-story marvel shot up into the Los Angeles skyline, making jaws drop as the city’s second-tallest building. Designed by William Pereira & Associates, its crisp International Style gave it a futuristic look for the time-a monument to white-collar ambition. Just imagine: inside those gleaming rows of windows, the Occidental Life Insurance Company’s computers hummed away, crunching numbers with all the cutting-edge power of the ‘60s. But this tower wasn’t the lone star in the neighborhood. The original Occidental Center covered a whopping 12 acres, tying together multiple buildings with secret underground tunnels. Legend has it that if you worked late, you might escape through these corridors to avoid a surprise rainstorm or a nosy boss! Up top, The Tower restaurant once served French cuisine with views to match-just picture a perfectly crisp soufflé hundreds of feet above LA’s endless sprawl. Ownership shuffled like a Vegas dealer, and before long, the California State Bar Association and even the LAPD moved into the neighboring buildings. The crown was spruced up in the 2000s with a $35 million renovation, making the old tower sparkle like a disco ball at sunset. And for pop culture fans, glance upward-you may recognize this very exterior from Avicii’s “Levels” music video, when it advertised not insurance, but “Levels/Le7vels.inc.” Now, as South Park Center, this building stands as a not-so-quiet witness to L.A.’s style, ambition, and maybe a few secret after-hours escapades. Even on a sunny afternoon, the story of this skyscraper soars as high as its glass crown.
전용 페이지 열기 →Here it is, the legendary spot where Los Angeles once cheered, gasped, and even munched peanuts with abandon-welcome to the historic home plate of Washington Park! Imagine…더 보기간략히 보기
Here it is, the legendary spot where Los Angeles once cheered, gasped, and even munched peanuts with abandon-welcome to the historic home plate of Washington Park! Imagine yourself in the early 1910s, when this wasn’t just another city corner but the very heart of baseball mania in LA. The roar of the crowd, the crack of the bat, the hopeful clatter of vendors selling snacks-it all happened here, where now there might be nothing more than the buzz of traffic and a McDonald’s serving up fries instead of fly balls. Washington Park first opened its doors in March 1911, after the old amusement park, Chutes Park, made way for baseball dreams. The Los Angeles Angels-no, not the ones from Anaheim, but the original Pacific Coast League team-called this their home. These early games weren’t played in some cramped backyard, either. After expanding the stands and outfield for the 1913 season, they finally had space to accommodate the ever-growing sea of baseball fans. There were even special parking areas just for the game days. Who says LA traffic is only a modern-day problem? But the park wasn’t just for baseball-no, Washington Park was a real community stage. It played host to football games like the epic 1915 USC vs. California matchup, when 8,000 fans packed the stands. That was a record crowd for SoCal back then-no wonder the hot dog sellers probably went home with arms twice their usual size. And movie buffs, take note: silent film legend Buster Keaton filmed a scene for “Neighbors” here in 1920. That must have been quite the production, with slapstick gags trading places with home runs. The Angels had their ups and downs here, and the team even shared the field for a while with the Venice Tigers. But when William Wrigley Jr. wanted to take baseball into the underground-literally, with plans for a parking garage-that dream hit the dirt. So he bought new land and built Wrigley Field (the LA one, long before Chicago’s famous ivy). The Angels played their last at Washington Park in 1925, with some dramas-like Seattle forfeiting a game during the closing series for good measure. If you look around today, the only sliding you’ll see is into a booth at McDonald’s, and the stands are packed not for the big game, but maybe for coffee and Wi-Fi. Yet right here, baseball once ruled, and Angel fans filled this spot with cheers, jeers, and the timeless hope that this, finally, would be a home run day. Quite the pitch-perfect ending to our tour, if you ask me!
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