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Stop 3 of 14

Virginia Hotel

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Virginia Hotel

To spot the Virginia Hotel, just look to the southern side of West Haley Street for a stately three-story, L-shaped building with arched windows on the top floor and a distinctive row of palm trees and green shutters stretching along the sidewalk.

Alright, welcome to the Virginia Hotel, your second stop-and one with a history as lively as Santa Barbara itself! Imagine you’re standing here nearly a century ago. Before 1925, this spot actually held not one, but two hotels-one built in 1916 by Charles Maas, the other in 1922 by Freas Hayman. These neighbors got along so well that they had a secret handshake-well, not exactly, but they did connect on the upper floors. But then in 1925, boom! The city’s notorious earthquake shook downtown Santa Barbara to its core, leaving these hotels battered and the street in ruins.

Now, as the dust settled and hammers started flying, Maas and Hayman hired Clifford Denman, an architect from Los Angeles, who looked at the wreckage and said, “Let’s turn this disaster into a masterpiece.” With a wave of creativity, he united the two buildings under one grand facade in the fresh, elegant style of Spanish Colonial Revival-arches on the first level, a sea of white stucco, and those gorgeous arched windows you see above. Even the palm trees out front give the place that touch of Mediterranean magic. At the same time, Denman slyly kept hints of their dual personalities-notice the different window designs on each part of the building.

After all this transformation, the Virginia was one of the first ever buildings approved by the city’s new Architectural Advisory Committee, sparking a whole movement that changed Santa Barbara’s look forever. Though the hotels operated separately for years-the ultimate “close but not too close” relationship-they finally merged officially in 1977. After a short nap in the late ‘90s, the Virginia was lovingly restored and now stands proudly as one of the city’s most beloved historic hotels. From earthquake survivor to architectural icon, this spot is proof that sometimes, shaking things up leads to something even better.

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