ノースリトルロック オーディオツアー：ヴィラ、ビジョン、パークヒルの魅力

You’ll spot the Bailey Allinder House just behind these leafy trees-it’s a cozy, single-story sandstone house with an L-shape and a sturdy stone retaining wall in front. Now, imagine the year is about 1948, and the air smells fresh after a summer rain. Park Hill is changing, and right in front of you, the Bailey Allinder House stands out with its warm sandstone and fieldstone walls, somewhere between the “let’s keep it simple” Minimal Traditional style of earlier years and the breezy, low-slung Ranch homes starting to pop up. Look closely at its stonework and you can almost sense the influence of Frank Lloyd Wright-think natural materials blending with the landscape. Built just after World War II, this house became a home thanks to Bailey Allinder, a hardworking auto mechanic, and his wife, a talented piano teacher. It’s as if there was always a gentle tug of the everyday here: the sound of jazz melodies drifting from a piano, the smell of engine oil, and maybe, the odd slip on the stone walk when Bailey’s hands were greasy. Since 2002, this clever mix of styles and stories has been recognized on the National Register of Historic Places-because who says only castles or mansions get all the credit?

Look to your right-you’ll spot a grand, cream-colored two-story house with a red tile roof, arched windows, and a fancy wrought iron balcony, standing high above the street behind a lawn shaded by big old trees. Welcome to the Justin Matthews Jr. House, a place where Mediterranean dreams found a home in Arkansas! Picture it: the year is 1928, and developer Justin Matthews is determined to make Park Hill the toast of the town. He has this stunning mansion built for his son, right here on Skyline Drive, hiring the talented Max F. Meyer to design something no one could miss. You’d see workers bustling around, clay tiles clanking as they finish the signature red roof. The smooth stucco walls shine under the sun-something you’d expect to see in Spain or Italy, not North Little Rock! There’s a sense of excitement: neighbors stop to marvel at the elegant arched doorways, imagining glamorous gatherings inside. And here’s a fun detail-those wrought iron railings on the balcony? They were the talk of the neighborhood and gave the house a bit of dramatic flair, as if someone might step outside with a grand announcement. This house isn’t just stylish, it’s historic; the national experts made it official in 1990 by putting it on the National Register of Historic Places. So take a moment, enjoy the view, and if you suddenly feel like adopting a Mediterranean accent, don’t worry-you wouldn’t be the first!

To spot the Cherry House, look ahead for a crisp white two-and-a-half-story home with charming dormer windows, a grand semicircular portico at the door, and a sweeping lawn framed by shady trees. Now, let’s imagine it’s 1930, and this stately house is just finishing construction, its crisp brick veneer gleaming beneath the Arkansas sun. The Cherry House stands out as the pride of Edgemont, considered by many to be the best Colonial Revival-style home in the neighborhood. If homes had egos, this one would definitely strut around! Just picture lively weekend gatherings in the early days, the sound of laughter drifting out as neighbors strolled by, admiring the fresh paint and elegant Georgian details. The main block of the house, flanked by single-story wings, practically stretches out for a welcoming hug-or maybe it’s just showing off the two-story wing to the left and a very stylish garage to the right. People whispered that Cherry House set the standard in Edgemont, watching its timeless portico as a symbol of status. In 1992, this house got a new claim to fame: a spot on the National Register of Historic Places. Today, the Cherry House still looks ready to host another century of stories-just make sure not to trip on those distinguished front steps!

To spot the Matthews-MacFadyen House, look for a charming two-story brick home with a unique, steeply angled roof, a quirky projecting window on the front, and a tall, vine-clad chimney off to the right-nestled under sprawling oak branches. Alright, you’re standing right in front of what could easily be mistaken for a cottage straight out of an English fairy tale. Let your mind wander back to 1930… Imagine the clink of bricklayers at work as ambitious developer Justin Matthews dreams up this whole neighborhood called Edgemont, wanting to give North Little Rock a stylish upgrade. With his architect Frank Carmean, he designs this masterpiece-a two-story brick house with surprising little details: check out the corbelled chimneys like castle turrets and the oriel window that looks perfect for watching mysterious visitors arrive. If these walls could talk, I bet they’d whisper about neighborhood picnics and secret plans for parties during the roaring ‘30s, all under that sturdy gable-on-hip roof. And when the wind rustles the ivy growing up the side, you could almost hear it trading gossip from one brick to the next. Touch of Hogwarts, pinch of Southern charm… and officially recognized when it made the National Register of Historic Places in 1992, just to seal its legendary status!

Look to your right and spot the two-and-a-half-story brick house with a sharply sloped roof that stretches right over a cozy little porch-plus, those chimneys set snugly on the left side are hard to miss. Now that you’ve found the Matthews-Dillon House, let’s travel back to 1928. Close your eyes for a second-well, maybe not both, we don’t want you bumping into any bushes-and imagine the sounds of hammers and laughter as workers scurry around, laying bricks with care. This was no ordinary build; they were cooking up something that looked like it belonged in colonial New England, not Arkansas! Frank Carmean, architect for the Justin Matthews Company, designed this charming home by blending colonial style with a splash of medieval English flair-like a slice of Boston dropped right into Park Hill. The roof hooks right over the porch like a sheltering hat, maybe to help the owner hide from nosy neighbors or rainstorms. And if those thick brick walls could talk, they might whisper about the city’s growth in the Roaring Twenties, when dreams soared as high as these gables. Now, this house is so special, it earned a spot on the National Register of Historic Places in 1992. So take a deep breath-smell the garden, feel the history, and listen for echoes of old laughter under those steep, storybook eaves.

Look to your left for a unique two-story house covered in buff brick, with an elegant, wrought-iron balcony and a sweeping brick wall curving up to support its roof-it's hard to miss! Welcome to the Kleiber House, where drama and style mix together like a classic Hollywood movie scene. Built in 1929, this stunner was part of developer Justin Mathews’ big dream for the Edgement neighborhood. It wasn’t made for anyone special at first-just waiting for someone with ambition and a good dose of luck to call it home. The first man to try, Victor Kleiber, must have felt on top of the world until the Great Depression hit, turning champagne dreams into a foreclosure notice. Imagine the tension in those tough years: new brick, fresh paint, and yet the threat of losing everything was always right around the corner. But through all that, the Kleiber House held onto its flair. With its curving brick wall, two-story porch, and those eye-catching wrought iron railings, it stands out like a movie star on a red carpet-no other house in the neighborhood has quite this look. In 1992, its one-of-a-kind style finally got its moment of glory: a spot on the National Register of Historic Places. This house has seen times of hope, hardship, and, at last, celebration!

Spot the Matthews-Bryan House by looking for a charming, storybook-like stone and brick cottage with a steep, pointy roof and a decorative arched entryway-right at the end of the stone path straight ahead. Now, picture yourself in 1930s Park Hill. Cars were boxy, jazz tunes floated through open windows, and Justin Matthews and his architect, Frank Carmean, were on a mission to fill the neighborhood with English Revival masterpieces like this very house. The Matthews-Bryan House stands out with its fairy-tale steep roof and those playful little gables-it’s almost as if it’s winking at you. Matthews built this home just before the Great Depression hit, so it’s got a sense of bravery about it: stately arches throughout the inside and even a full guest house tucked in the back for parties, uninvited in-laws, or maybe a ghost or two (don’t worry, they’re friendly!). Can you imagine the builders laying down these stones, not knowing that life was about to change dramatically? Through seasons of change, the Matthews-Bryan House hasn’t lost its touch of grandeur, and by 1992, it found itself added to the National Register of Historic Places. So as you stand here, you’re face-to-face with a survivor-one that still manages to look like it stepped right out of a storybook, or perhaps walked over from merry old England.

Look for a two-story brick house with a red tile roof and tall, arched windows framed by iron railings-the Owings House stands right ahead, easy to spot with its unique, unstuccoed brickwork among the trees. Now, let’s step back to 1927. Imagine fresh bricks stacked high, roof tiles shining like rubies under the Arkansas sun, and the whole neighborhood buzzing with excitement-this was the very first house finished here in Justin Matthews’ Edgemont development! The Owings House was a trendsetter, showing off that Spanish Revival style with its swooping arches and iron grillwork. But here’s the twist: unlike most houses of its kind, the brick on this beauty was left naked-no stucco coat! It was like the house was proud to show its true colors. If you listen closely, maybe you’ll hear echoes of parties and laughter from the Roaring Twenties drifting from those grand windows. But life wasn’t all jazz and roses: when the Great Depression hit, the Owings House was lost to foreclosure. The dreams built within these walls faded, but the house stood strong, a silent sentinel through storms, stories, and decades of change. Today, it’s a star on the National Register of Historic Places-a survivor, still dazzling on Skyline Drive. Maybe don’t try a Charleston in front, but you can give it a little wave of admiration!

Right in front of you, the Matthews-Bradshaw House peeks out from behind the trees with its storybook cone-shaped turret in one corner, diamond-patterned windows, and a gabled entrance decorated with half-timbered stucco-just keep an eye out for a house that looks like it might have jumped out of a French fairy tale! Picture it: the year is 1929, flapper dresses are in style, and the smell of fresh brick and stone fills the air as Justin Matthews Company sets out to create something truly special for Park Hill-a home unlike any other in the neighborhood. The Matthews-Bradshaw House is a rare bird, the only French Eclectic house that Matthews built in the whole area, and it’s got more charm than a bakery full of croissants! Frank Carmean, the architect behind the whimsical design, must’ve had fun with this one-just imagine him adding that conical turret, maybe daydreaming of castles in the French countryside while wiping dust from his plans. Through the years, generations have looked out from those diamond-pane windows, rain tapping on the brick and stone as families came and went. Whether passersby thought it was a secret hideout or a witch’s cottage, one thing was always certain: nobody forgot the house with the quirky turret on Skyline Drive. In 1992, its uniqueness was officially sealed by making it onto the National Register of Historic Places. Not bad for a house that could easily double as a movie set, right?

You’re looking for a grand, two-and-a-half-story house covered in a patchwork of tan and brown fieldstones, with a broad, sloping yard and two symmetrical single-story wings stretching out to each side-just beyond the old trees in front of you. Here you are, gazing at the Jeffries House, standing like a storybook manor on its gentle hill. Picture it’s 1931: the world feels unpredictable, tension is everywhere, yet here an almost magical new house rises from stone and timber, its symmetry as perfect as a ruler’s edge. The Justin Matthews Company built this beauty, finishing the very last home in the Edgemont subdivision just before the harsh grip of the Great Depression put a hard stop on the dreams of big neighborhoods. Each block of stone on this Colonial Revival home holds a bit of drama-Matthews tried something unusual here, giving the classic American style a rugged Arkansas twist with stone instead of smooth clapboard. Imagine parties shimmering through these windows while rumors swirled about what would come next for the country, and for Park Hill. As years rolled by, the Jeffries House stood tall, a reminder of ambitions built just before hard times hit. Listed on the National Register of Historic Places in 1992, it’s still a place where stories gather and memories stick like ivy to those sturdy old stones.