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Stop 3 of 17

Mompesson House

headphones 02:43

Look directly in front of you for a grand, honey-colored stone house with tall sash windows, a red tiled roof, and a fancy set of black wrought-iron railings. Two lush, vine-wrapped trees seem to almost be tiptoeing up the walls on either side of the heavy front door. If you see an elegant stone plaque with carved swirls and a shield above the entrance, you’ve found Mompesson House! You can’t miss its old-world charm, especially as the late afternoon sun bathes the building in a golden glow.

Here you stand outside Mompesson House-one of Salisbury’s finest survivors of the 1700s. Imagine the click-clack of carriage wheels approaching as grand visitors came to call.

The Mompesson family-once residents across Wiltshire-decided to leave their thatched cottages behind and go big. Thomas Mompesson the elder bagged the land here in 1635, and his son, Sir Thomas, fancied it up into this classic Queen Anne house. The huge sash windows would’ve let in the gossip from Cathedral Close as much as the sunshine, and the thick stone walls have kept more than one secret over the centuries.

Do you see the initials and date on the water downpipes? Those belong to Charles, who finished the grand design in 1701. Two years later, when he married Elizabeth Longueville, he threw a wedding party the neighbors probably never forgot. He even put both their coats of arms right above the front door-a Georgian version of showing off on social media!

Inside, the house is a time capsule of Georgian elegance. The National Trust has gone all out restoring delicate plasterwork and collecting period furniture after the house came to them empty in 1975. One of the more unusual displays? A glittering cabinet of 18th-century drinking glasses-perfect for those wild, powdered-wig parties (glass-smashing not encouraged).

Don’t be shy-see if you can spot the brick building next door. That’s the old service wing, built right over the site of an inn called The Eagle, which closed in 1625. If you listen closely, maybe you can imagine the cheerful racket of a busy coaching inn from centuries ago.

If these walls could talk, oh, the tales they’d tell: artists painting here for nearly a century, bishops passing through, and even film crews shooting scenes for Sense and Sensibility. So, while you absorb the sunshine, picture those scenes of bustling servants, party guests arriving, and artists quietly sketching by the window. Ready to stroll onward, or tempted to move in yourself?

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