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Stop 9 of 15

Piazza San Carlo

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Piazza San Carlo

Directly ahead, you’ll see the vast open space of Piazza San Carlo, surrounded by elegant arcaded buildings and anchored in the center by a dramatic bronze equestrian statue-simply look for the two “twin” churches facing you at the far end and you’ll know you’ve arrived!

Welcome to Piazza San Carlo, or as the people of Turin fondly call it, the city’s living room-though I assure you, you won’t find any slippers or remote controls lying around! Standing here, picture yourself in the heart of centuries of history, on a vast stone rectangle stretching 168 meters, framed by regal palaces and echoing with the memories of elegant footsteps and whispered secrets. Take a breath and listen-the silence is not empty, it’s full of stories.

It all began when this spot lay just outside Turin’s original Roman walls, nothing but vegetable plots and country air. In 1617, the city’s expansion called for grandeur-so enter architect Carlo di Castellamonte with a mission: build a new, magnificent square, eventually named Piazza Reale. By 1638, thanks to the noble patronage of Madama Cristina di Francia, the square was ready for royal processions…and the occasional local market selling, let’s imagine, rather saucy cheeses.

But things weren’t always so peaceful. The square became known as Piazza d’Armi-a parade ground for soldiers, echoing with the clatter of boots and, during the 1706 siege, shuddering with cannon fire that left actual cannonballs still wedged in nearby walls. Next time you spot a bar called Mokita, look up and see if you can find one!.

As centuries rolled on, Piazza San Carlo emerged as the elegant jewel you see today: arcades lined with legendary cafés, palazzi reconstructed and refined by Benedetto Alfieri, and the stunning “twin” baroque churches-Santa Cristina on your left and San Carlo on your right. Not identical twins, mind you! One took inspiration from the other, and if you squint you might spot the differences. Santa Cristina’s façade, a creation of Filippo Juvarra, is as showy as a peacock in spring, while San Carlo’s more reserved look came nearly 120 years later, courtesy of Ferdinando Caronesi.

And right in the middle, presiding over it all, is the Caval ëd Bronz-the Bronze Horse-an equestrian statue of Emanuele Filiberto of Savoy by Carlo Marochetti. Rumor has it that folks think the statue is all about military glory, when actually, the duke is shown sheathing his sword, not unsheathing it-a subtle sign of peace after victory. Just imagine how many fans have climbed that plinth to celebrate a Juventus victory!.

Beneath the arcades, historic cafés like Caffè San Carlo and Caffè Torino once buzzed with politicians, poets, and thinkers. Cavour plotted politics over coffee, and it’s said you could bump into everyone from Cesare Pavese to Ingrid Bergman. Fancy a sprinkle of good luck? Find the little brass bull in front of Caffè Torino and stomp-carefully-on his, um, special attributes. Locals say it works wonders.

Of course, not every chapter here has been joyful. In 1864, when Turin lost its status as Italy’s capital, peaceful protests in this square met tragic violence, a reminder that beauty and sorrow sometimes linger side by side.

In more recent times, the square has shaken off the rumble of cars and reinvented itself as a peaceful pedestrian haven, resurfaced with porphyry stones and modern touches like smart lighting and Wi-Fi-because even the most historic piazzas need to check their emails these days.

So, as you wander, keep your ears open and your eyes wide. Every stone, every column, every shaded portico is part of a centuries-old tapestry-somewhere between a grand stage for popes and generals, and the sun-dappled living room where Turin naps, dreams, and celebrates.

Intrigued by the structure, cafes and clubs or the the home of alfieri? Explore further by joining me in the chat section below.

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