
The landmarks in every guidebook — and the tours that tell you what guidebooks don't.
Florence made most of Western art between roughly 1420 and 1550, and the buildings, paintings, and sculptures produced in those 130 years still fill the city so completely that it requires a kind of discipline to notice anything made after 1600. Brunelleschi's dome on the Duomo, completed in 1436 without the use of a supporting framework, was the largest dome built since the Pantheon in Rome and is still the largest brick dome ever constructed. It sits above the roofline of the entire city and is visible from every direction, which Brunelleschi intended as a statement about what Florence could do when it chose to concentrate.
The Uffizi Gallery holds a collection that would take a week to see properly, which is why most people spend two hours there and leave with Botticelli's Birth of Venus as a memory.
The Galleria dell'Accademia, ten minutes' walk away, contains Michelangelo's David, which is always larger than photographs suggest: 5.17 metres of marble carved from 1501 to 1504, the light falling on it from specifically positioned skylights. Both galleries require advance booking at almost any time of year. The Ponte Vecchio over the Arno, covered with jewellers' shops since the Medici evicted the butchers and tanners in 1593, connects the Uffizi side to the Pitti Palace on the Oltrarno bank.

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4.8 across the App Store and Google Play. Here's a few we keep coming back to.
This tour was such a great way to see the city. The stories were interesting without feeling too scripted, and I loved being able to explore at my own pace.
This was a solid way to get to know Brighton without feeling like a tourist. The narration had depth and context, but didn't overdo it.
Started this tour with a croissant in one hand and zero expectations. The app just vibes with you, no pressure, just you, your headphones, and some cool stories.